Once in the Editor, you can drag tracks around to move them ahead or back in time in relation to the other tracks in the Editor.Įach track has its own Volume, Pan, Mute, and Solo controls, much like you find inĪpple’s GarageBand. You can add more tracks simply by dragging them into the main Editor window or by choosing Add Audio Track or Add Video track from the Tracks pop-up menu at the top of the Editor. The resulting workspace contains a single empty stereo track with a large expanse of space below. From the File menu’s New command, you now have the option to create not only a new empty audio file (which generates a mono or stereo document-you choose which-at the resolution of your choosing from 8- to 96Kbps) or a file from the contents of the clipboard, but also a new multitrack file. And it works very much like multitrack editing in other Macintosh audio editors. The inclusion of multitrack editing will make Soundbooth far more attractive to both video- and audio editors. Highlights include non-destructive editing, the ability to create snapshots (restore points) that you can later return to, automatic volume matching, MP3 compressions preview, and a speech-to-text feature that attempts to transcribe the contents of an audio track (or a selection within it) and then lets you navigate that track by choosing words within the transcript. Not only does Soundbooth CS4 include multitrack editing and allow you to place multiple AutoComposed scores into a single project, it also offers some compelling new features. Tuesday’s release of the Soundbooth CS4 beta demonstrates that Adobe has its ears open to the needs of those who demand more from an audio editor. But it lacked the kind of more-advanced features-multitrack editing and the ability to place more than one AutoComposed score in a project-that audio pros or even advanced dabblers would desire. It offered an intuitive interface, solid noise filtering, and a handy AutoCompose feature for generating customized background music. Designed for those who didn’t require (or wouldn’t comprehend) a full-blown digital audio workstation (DAW) application, Soundbooth erred on the side of ease-of-use. Soundbooth CS3 ( ), it did so with something less than both feet. Last year when Adobe jumped into the Macintosh-audio editing business with its release of the Intel-only
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